Sideboard Table Annapolis

Browse by Category

The neoclassical style in paintings, architecture, music, and other cultural arts developed in early America alongside the movement’s popularity in England and the rest of Europe. This sideboard attributed to John Shaw highlights neoclassical taste and would have been considered the latest fashion in 1780’s Maryland. At the top of each leg, the table features carved paterae (bas relief ovals)  which are made to look like an ancient punch bowl. In ancient Rome paterae were generally shallow vessels used for drinking, often for ceremonial purposes. The table also contains a generous amount of fluting across the apron and on the two front legs. Fluting, a feature typical of neoclassical furniture, is meant to mimic columns  on buildings in ancient Rome and Greece. Unlike many Shaw pieces, this table contains no inlay detail, just carefully carved designs. The piece may have also had the influence of Shaw’s partner, Archibald Chisholm. The drawer on the side, characteristic of Annapolis pieces, is thought to be a later addition.
The original owner of this piece is Rinaldo Johnson, whose second wife was Anne Eilbeck Mason, daughter of George Mason of Gunston Hall. Gunston Hall was the first place that British-born architect William Buckland worked on in America and Hammond-Harwood House was the last before his untimely death in 1774. Rinaldo and Ann lived on a large plantation in Aquasco, Maryland, in Prince George’s County. The table was later owned by the Forbes family who lived at Villa De Sales, now an alpaca farm. Portraits of Rinaldo Johnson’s parents by Charles Willson Peale are on view upstairs at the Hammond-Harwood House.
Maker: Attributed to John Shaw (1745-1829), Scottish-American
Wood: Mahogany, Tulip Poplar
F42 Museum Purchase in 1950
Maryland, c. 1780-1785

Posted on Oct 21, 2021 in , by Hammond-Harwood House

 

 

Hammond-Harwood House

The mission of the Hammond-Harwood House Association is to preserve and to interpret the architecturally significant Hammond-Harwood House Museum and its collection of fine and decorative arts, and to explore the diverse social history associated with its occupants, both free and enslaved, for the purposes of education and appreciation.
Scroll to Top